Here is another album cover done by headpiece747 for the video game, Lost Planet. The soundtrack was included on the collector’s edition of the game. The composer Jamie Christopherson also has ten out of the fifteen songs on his website for free download. Lost Planet is a mech/FPS that made me feel as though I was in the movie Starship Troopers. The visuals of the game are still impressive by today’s standards. The soundtrack is handled perfectly by Jaime Christopherson mixing soothing tones and chaotic effects to match the pace of the game. If you have not played the game or heard the soundtrack then definitely pick up the collector’s edition so you can have both, and make sure to check this weblink while you are at it .
Category: Featured
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ESP Album Art: Digital Dust – Dusty Folders Vol.1
So I passed the Digital Dust – Dusty Folders Vol.1 to DJ headpiece747 and he was taking back by the skills of Primus Maximus on the Monome. He liked the mix so much that he took out his bottle of alcohol and started to design an album cover for it. He posted it on monome.org after DJ Tes (of Digital Dust) asked to see it and then Primus Maximus had this to say:
Good stuff headpiece747!
But it says “Dust Digital” on the cover while we are Digital Dust.
We have a myspace (http://www.myspace.com/digitaldustmusic) and a website which is not done yet (www.boomtobap.com)Drunkenness at its finest but he corrected the name and it is here for your album art inclusiveness.
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ESP Free Download: Chapter 2 : Street Soul
The Advantage Music Group & Domination Recordings Present: Chapter 2 : Street Soul for your listening pleasure. For your viewing pleasure on your mp3 player or pc, DJ headpiece747 & myself took it upon ourselves to fix the mp3 tags and artwork. Chapter 2 : Street Soul features 21 tracks from artists such as Prince Po, Ill Poetix, Keith Masters, Malay Sparks and plenty more. So check out the updated zip file and artwork below.
Download: The Advantage Music Group & Domination Recordings Present: Chapter 2 : Street Soul
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Ecliptic Sight Review: Willie Green – …Of Heroes And Villains
…Of Heroes And Villains by Willie Green opens up to a noble harmony that will capture its audience with smooth and laid back tones for the opening two songs. Just then it takes, “A Turn For The Worse” with a haunting rhythm giving use a glimpse at the darker side of Willie Green. Each new song builds up the constant struggle, “…Of Heroes And Villians” to dizzying and awestruck of musical pleasure. By the time you are at the “Entermission” you don’t understand just how it will all play out. But wait here is “The Twist” to throw you off balance to the normal beatmakers that we are use to. Willie Green delivers us his musical child and if I had to pick one as my favorite kid it would be the, “Final Showdown”. The last two songs on the album have Nasa taking the helm on the first with billy woods closing out the album with perfect delivery. Also proving that the beats are emcee friendly. Willie Green’s …Of Heroes And Villains fluently blends cartoon soundbites with his own intricate instrumentals to give an enjoyable listen.
Click image for a free and legal download from BackwoodStudioz.com
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ESP Album Art: Yesh – The Day Dreamer Demos
So when DJ headpiece747 isn’t mixing or drinking his life away, he likes to design stuff. From the new design of the sight (site) or missing album art from his CD/MP3 collection. He has done art for several albums that I will filter through eventually. First up is the album art for the free download of Yesh’s The Day Dreamer Demos.
Click on image for larger size (1425×1425)
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Free Legal Music 14
I have made a post about Freebass 808 before but now it is time to experience the music for yourself. Freebass 808’s MoonBass EP takes the listener on a cosmic sonic ride to the moon with enough power to keep you there. All I can say is I have the song, “Love Eclipse” on repeat. Download it now so you can experience the ride too.
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The Peanut Butter & Jelly Party 2009: Photo Review
Coming back from another country and already back to my old ways. We attended The Peanut Butter & Jelly Party 2009 at the Loft on April 19. I found out about the event from Last.fm/Events and just had to go because it is rare to have Hip-Hop in Nashville, Tennesse. So here is my review on the event through photos.
This is the first thing I saw walking into the event. Also Syntax Records hosted the concert with most of the roster performing are on.
All the way to the top. These flyer arrows helped point us in the right direction.
We arrived late so only got to see the last song performed by Scribbling Idiots but they were still getting the crowd crazy.
The lighting behind Scribbling Idiots enhances the show but they could do that with their energy alone.
DJ Promote on the wheels of steel, putting in work for intermissions and performers.
How could it be a “Peanut Butter & Jelly Party” without the peanut butter and jelly, right. They served it all night with free milk and Rockstar energy drinks for backup.
Odd Thomas takes the stage…
…and murders his set.
Propaganda has the crowd start with their hands in the air.
Propaganda performance is so hype that the crowd keeps them up.
Kaboose grabs the mic and begins to make the crowd move.
Kaboose brings Royce 5’9″ with him but on screen in the same style as his album cover.
Braille gets into his performance and makes the crowd follow.
Braille and Theory Hazit join forces to elevate the mood.
RedCloud delivers a stunning presentation with freestyles to spare.
RedCloud and Kaboose compare mohawks.
Overall the event was impressive and found some new artist to add to the music library. Here is the some of the free swag that was given away at the show and that’s it.
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Ecliptic Sight Review: Vordul Mega – The Revolution of Yung Havoks
Vordul Mega is on a assignment to enlighten his listeners with visible wordplay on his first solo album. The Revolution of Yung Havoks was created on a preemptive tale of young minds (or havoks) wanting change. Vordul takes his time to craft each song into a story of struggle, frustration and overwhelming stress. He doesn’t stop there and leave it as a cautionary warning for the listener to sulk in the misery of his lyrics. Instead Vordul gives us solution with songs like, “Neva Again” and “Pray” with nuggets of knowledge dropped in each verse.
Each guest emcee seems to have been brought in to compliment Vordul and his storytelling rather than taking it over. The four emcees to grace, “The Revolution of Yung Havoks” are C-Ray Walz, Karniege, Jean Grae and a Cannibal Ox duet with Vast Aire on the song, “Handle That”. Vordul has worked with each artist on their albums or through his affiliations with Atoms Family, Cannibal Ox and The Reavers.
On the song, “Megallah”, Vordul asks: “Whose Mega? Question I ask self…”, that I am sure everyone has asked themselves one way or another trying to discover who we are. He answers this question and more with the entire album by basically saying that we all endure conflicts and go through hard times but we can not let it rule our lives and make us corrupt. Vordul Megallah would rather have us uprise and accomplish The Revolution of Yung Havoks.
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Thank You Letter To The Emcee
I have scrutinized and racked my brain on how to show my appreciate for the emcee. After finally writing this out the best approach is usually the simplest by just saying thank you. Thank you to all the emcees, lyricists, rhymers, wordsmiths, rappers, poets or whatever way you chose to describe yourself for continuing to make conscious music. The purpose of this letter is not to minimize the contribution of the other elements of hip-hop (DJ/producers, b-boys and graffiti) but emcees were the first ones to draw me into the culture that I enjoy. I can remember the first time I heard an emcee on the radio and was amazed by their wordplay. How it made me analyze their lines and marvel at how effortless they made it sound. The different emotions that could be displayed with the words they chose. Being an emcee is definitely an art form that when practiced correctly can take the listener on a musical oasis.
I listen to a lot of hip-hop and would like to thank every artist individually for the time and love they put into their craft but that would take forever. Hopefully writing this will show my appreciation and my support of what they do. I also know that actions speak louder than words so I prove my support by purchasing their albums and products. Which in turn helps the emcees continue to make their music. I will even support an artist that a critic or someone with similar taste gives a negative review because I try to understand the message that they are trying to portray. Sometimes the overall song is out of the emcees’ hand and it is the production that does not fit the words or the mix down is wrong or countless other things that happen in post production once it leaves the emcee.
All this is to just say thank you and I wanted to show my admiration for your talents and vision and hope this helps all of us grow closer to this thing we call hip-hop.
Much Respect,
Saibot
Ecliptic Sight Podcast
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Ecliptic Sight Interview: Werner Von Wallenrod
Werner Von Wallenrod aka John W. McKelvey aka Mr. Hip-Hop Encyclopedia has helped many fill holes in their record collection since 1997 with his “Humble Little Hip-Hop Site”. Now continuing that tradition with his “Humble Little Hip-Hop Blog”, he is set to educate the masses with his video post and overall knowledge of hip-hop. Come now as pick the brain of Werner Von Wallenrod.
ESP: Thank you for taking your time to answer my questions.
WVW: Thanks for your interest!
ESP: Who is Werner Von Wallenrod and where did the name come from?
WVW: It’s an obscure reference from a very bad video game. Despite how much it sucked, my friend and I decided we were determined to beat it, and we then spent way too much time playing it.
I think I chose it for the same reason Flavor Flav picked his rap name – he wanted a name where he wasn’t going to find out six months later that another guy in another city had the same name (i.e. all the MCs and DJs named Dre). And so far, it hasn’t happened. 😉ESP: When did you start Werner Von Wallenrod’s Humble, Little Hip Hop Site?
WVW: In early 1997. I actually had an earlier taste of running a website (of a sort haha)… I don’t know if anybody remembers X-Band anymore? Pre-internet, it was a cartridge that plugged into your Sega Genesis with phone wire coming out of it. Essentially, it let X-Box players play a few 2-player games (primarily Mortal Kombat 2 and Madden) against each other over the phone lines. I used to write a page that had upcoming release dates and reviews of each week’s hip-hop releases, and I actually started to get readers and people e-mailing questions and stuff, if you can believe it.
Then, my family got on the internet with America Online (back when you used to pay by the minute – scary!), and I decided to teach myself a little HTML and make a members page building on that X-Band page.ESP: Who was the first discography on your site?
WVW: Ultramagnetic MC’s and Natural Elements. Back in the early days, a friend had found a discography of Ultramagnetic on the internet. We printed it out and I carried it around everywhere. It was really incomplete, though – both in the sense that it didn’t include any of their guest spots or solo/ side projects, and that it was missing a lot of their key, classic 12″‘s and stuff. So I decided to make my own, much more completist version, that even went on to include Tim Dog, Godfather Don and Raw Breed. And I did NE because I had all of their records, and their was no discography of them anywhere. I started adding more pretty, then, pretty much right away.
ESP: On your site it says, “…Or, maybe I just like them. I’ll tell ya one thing, though: they ain’t payin’ me for it. Except L’Trimm. They made me rich…”, what does that mean?
WVW: That was a silly joke. Wouldn’t it be nice to live in a world where L’Trimm paid somebody millions of dollars to make an AOL members’ page about their music?
In honor of this interview, I made today’s blog entry about a L’Trimm record.ESP: Where did your love for hip-hop come from?
WVW: Ever since I was a young kid. I remember my first tape I ever owned and loved was a Weird Al tape. I was kind of searching for a musical genre, I guess… because all fellow first graders would’ve been listening to, like, early Bon Jovi, which I could never get into. I had a few rock and roll tapes as a kid (I remember Poison and Def Leopard), because that’s where I grew up; but as soon as I found hip-hop, that was it.
Back then, I used to have a hard time because in music stores, hip-hop and other genres (R&B, dance, rap etc) were all mixed into one big “Soul” or “Black Music” section. Can you believe, as late as the early 80’s, modern music stores in New Jersey still had a “black music” section? So anyway, (bear in mind, little kids aren’t all that smart yet), I used to often be looking at tapes trying to figure out, “is this rap?” Those were the days.ESP: What is your current stance on the state of hip-hop in general?
WVW: The only new stuff I get into these days is pretty obscure, indie stuff… except for the recent revival of old school reissues which is pretty awesome, ey? I could accept that I’m just a crotchety old man (32!) who insists that the old ways were better, except I do enjoy new stuff by some innovative new artists (Buck 65 is a favorite), so that must just mean the new stuff sucks. In an industry driven by ringtones, though, I don’t think that’s so hard to accept.
ESP: Werner Von Wallenrod’s Humble, Little Hip-Hop Blog has you showing off extensive knowledge of everything hip-hop. How does this help promote your ideas?
WVW: At one point in my life, it got me a flashy job writing and editing at The Source. These days, though, my life and business (I run a bookstore in a neighborhood where people would say, “Yuck, why are you playing rap music? Please turn that off”) are pretty separated from the hip-hop scene. It would be nice if those two ends could meet again someday, but who knows?
Plus, I’ve never been that plugged into the scene, per se… just the music. As a kid, I remember seeing kids who listened to heavy metal and thinking, “just because you listen to the music, why do you have to have long hair and wear t-shirts with skulls on them?” Actually, I kinda liked the skull shirts; those were cool. I remember as a little kid wearing a Ted Nugent cap, and teenagers would be like, “whoa; 5 year-old into Nugent! Way cool!” But I didn’t know who he was; I just liked the logo with the skulls.
So anyway, as I got older listening to hip-hop, it just wasn’t my nature to suddenly roll up one sweatpants leg and carve little niches into my eyebrow just to follow a trend. I don’t go to shows or hip-hop clubs… I just support the music. In fact, when I ran The Source website, I used to sneak the motto, “The website of the magazine of hip-hop music, culture and politics… without all that culture and politics crap” into the mix wherever I could. Because I used to buy the magazine to get the latest scoop about MC Shan, not to read some budding music journalist’s under-informed opinions on the latest presidential election.
ESP: What does the future hold for Werner Von Wallenrod?
WVW: I’m still working on indie, creative projects… and I always will as long as I can. If that ever will pay any bills, who knows, but I hope so. My other interest is film, which I’m into and take as seriously as hip-hop. Like I said in the last question… those interests now are pretty separate; but maybe they’ll all come together. Or not. I enjoy them both, I don’t need them combined.
ESP: In closing is there anything that you would like people to know about?
WVW: For those who used to check my site but haven’t heard yet, I started a blog about a year ago at: Werner von Wallenrod’s Humble, Little Hip-Hop Blog. It’s updated regularly, and I try my ass off to be fun and informative. I hope its good, but that’s for you guys to decide – it’s definitely not one of those blogs that has the same content as about fifty others, though. 8)
And I’d also like you and your readers to know I appreciate your interest and I hope you like my work!