Author: Saibot

  • Ecliptic Sight Interview: Werner Von Wallenrod

    Werner Von Wallenrod aka John W. McKelvey aka Mr. Hip-Hop Encyclopedia has helped many fill holes in their record collection since 1997 with his “Humble Little Hip-Hop Site”. Now continuing that tradition with his “Humble Little Hip-Hop Blog”, he is set to educate the masses with his video post and overall knowledge of hip-hop. Come now as pick the brain of Werner Von Wallenrod.

    ESP: Thank you for taking your time to answer my questions.

    WVW: Thanks for your interest!

    ESP: Who is Werner Von Wallenrod and where did the name come from?

    WVW: It’s an obscure reference from a very bad video game. Despite how much it sucked, my friend and I decided we were determined to beat it, and we then spent way too much time playing it.
    I think I chose it for the same reason Flavor Flav picked his rap name – he wanted a name where he wasn’t going to find out six months later that another guy in another city had the same name (i.e. all the MCs and DJs named Dre). And so far, it hasn’t happened. 😉

    ESP: When did you start Werner Von Wallenrod’s Humble, Little Hip Hop Site?

    WVW: In early 1997. I actually had an earlier taste of running a website (of a sort haha)… I don’t know if anybody remembers X-Band anymore? Pre-internet, it was a cartridge that plugged into your Sega Genesis with phone wire coming out of it. Essentially, it let X-Box players play a few 2-player games (primarily Mortal Kombat 2 and Madden) against each other over the phone lines. I used to write a page that had upcoming release dates and reviews of each week’s hip-hop releases, and I actually started to get readers and people e-mailing questions and stuff, if you can believe it.
    Then, my family got on the internet with America Online (back when you used to pay by the minute – scary!), and I decided to teach myself a little HTML and make a members page building on that X-Band page.

    ESP: Who was the first discography on your site?

    WVW: Ultramagnetic MC’s and Natural Elements. Back in the early days, a friend had found a discography of Ultramagnetic on the internet. We printed it out and I carried it around everywhere. It was really incomplete, though – both in the sense that it didn’t include any of their guest spots or solo/ side projects, and that it was missing a lot of their key, classic 12″‘s and stuff. So I decided to make my own, much more completist version, that even went on to include Tim Dog, Godfather Don and Raw Breed. And I did NE because I had all of their records, and their was no discography of them anywhere. I started adding more pretty, then, pretty much right away.

    ESP: On your site it says, “…Or, maybe I just like them. I’ll tell ya one thing, though: they ain’t payin’ me for it. Except L’Trimm. They made me rich…”, what does that mean?

    WVW: That was a silly joke. Wouldn’t it be nice to live in a world where L’Trimm paid somebody millions of dollars to make an AOL members’ page about their music?
    In honor of this interview, I made today’s blog entry about a L’Trimm record.

    ESP: Where did your love for hip-hop come from?

    WVW: Ever since I was a young kid. I remember my first tape I ever owned and loved was a Weird Al tape. I was kind of searching for a musical genre, I guess… because all fellow first graders would’ve been listening to, like, early Bon Jovi, which I could never get into. I had a few rock and roll tapes as a kid (I remember Poison and Def Leopard), because that’s where I grew up; but as soon as I found hip-hop, that was it.
    Back then, I used to have a hard time because in music stores, hip-hop and other genres (R&B, dance, rap etc) were all mixed into one big “Soul” or “Black Music” section. Can you believe, as late as the early 80’s, modern music stores in New Jersey still had a “black music” section? So anyway, (bear in mind, little kids aren’t all that smart yet), I used to often be looking at tapes trying to figure out, “is this rap?” Those were the days.

    ESP: What is your current stance on the state of hip-hop in general?

    WVW: The only new stuff I get into these days is pretty obscure, indie stuff… except for the recent revival of old school reissues which is pretty awesome, ey? I could accept that I’m just a crotchety old man (32!) who insists that the old ways were better, except I do enjoy new stuff by some innovative new artists (Buck 65 is a favorite), so that must just mean the new stuff sucks. In an industry driven by ringtones, though, I don’t think that’s so hard to accept.

    ESP: Werner Von Wallenrod’s Humble, Little Hip-Hop Blog has you showing off extensive knowledge of everything hip-hop. How does this help promote your ideas?

    WVW: At one point in my life, it got me a flashy job writing and editing at The Source. These days, though, my life and business (I run a bookstore in a neighborhood where people would say, “Yuck, why are you playing rap music? Please turn that off”) are pretty separated from the hip-hop scene. It would be nice if those two ends could meet again someday, but who knows?

    Plus, I’ve never been that plugged into the scene, per se… just the music. As a kid, I remember seeing kids who listened to heavy metal and thinking, “just because you listen to the music, why do you have to have long hair and wear t-shirts with skulls on them?” Actually, I kinda liked the skull shirts; those were cool. I remember as a little kid wearing a Ted Nugent cap, and teenagers would be like, “whoa; 5 year-old into Nugent! Way cool!” But I didn’t know who he was; I just liked the logo with the skulls.

    So anyway, as I got older listening to hip-hop, it just wasn’t my nature to suddenly roll up one sweatpants leg and carve little niches into my eyebrow just to follow a trend. I don’t go to shows or hip-hop clubs… I just support the music. In fact, when I ran The Source website, I used to sneak the motto, “The website of the magazine of hip-hop music, culture and politics… without all that culture and politics crap” into the mix wherever I could. Because I used to buy the magazine to get the latest scoop about MC Shan, not to read some budding music journalist’s under-informed opinions on the latest presidential election.

    ESP: What does the future hold for Werner Von Wallenrod?

    WVW: I’m still working on indie, creative projects… and I always will as long as I can. If that ever will pay any bills, who knows, but I hope so. My other interest is film, which I’m into and take as seriously as hip-hop. Like I said in the last question… those interests now are pretty separate; but maybe they’ll all come together. Or not. I enjoy them both, I don’t need them combined.

    ESP: In closing is there anything that you would like people to know about?

    WVW: For those who used to check my site but haven’t heard yet, I started a blog about a year ago at: Werner von Wallenrod’s Humble, Little Hip-Hop Blog. It’s updated regularly, and I try my ass off to be fun and informative. I hope its good, but that’s for you guys to decide – it’s definitely not one of those blogs that has the same content as about fifty others, though. 8)

    And I’d also like you and your readers to know I appreciate your interest and I hope you like my work!

    Werner Von Wallenrod

  • D3: Dilla Dependence Day

    J Dilla Forever
    Click image to enlarge image.

    Now it is time to tell my Dilla story in memory of him on February 10th. I discovered Jay Dee aka J Dilla as some others might have walking into Fat Beats in the late ’90s and hearing:
    “Hey, hey, hey, h-hey, hey
    What you say, get this money
    If they say what you gon do today, just say
    Hey I wanna get paid
    Pay day, pay day, pay day”.
    With this hypnotic hook and a beat that caughted your soul it was apparent I was hearing something new. So I asked the DJ/Store clerk who it was and he said that’s Slum Village. I nodded my head and headed over to the vinyl to find this Slum Village musical master piece. I found a 12″ vinyl named, “Slum Village – Get Dis Money (off of the Office Space soundtrack)” and wonder if this is the right one and take it to the counter. With a quick glance at the turntables I see I selected the right one. With the record in hand I take it home and play out the vinyl until I know every intricate loop.

    So my mouth was now watering for a Slum Village full LP. In the summer of 2000 my prayer was answer with Fantastic Vol. 2 on GoodVibe Recordings. With people from Q-Tip to D’Angelo to the Roots saying they were the ones to watch I knew I was making a great purchase. I never knew I how much I would I would love this album. J-88 was “The Best Kept Secret” because I did even realize it was Slum Village until a couple of listens. With the next album not featuring Dilla I skipped it anticipating Dilla’s new solo career. It came from the most infectious song called, “B.B.E. (Big Booty Express)” off the album: “Welcome To Detroit”.

    I thought to myself what could Dilla do now to continue his excellency? Well he would team up with one of my favorites emcee/producers Madlib to create one of the brilliant collaborations in the history with Jaylib – “Champion Sound”. It truly was a champion sound that every fan of either one could cross reference to find the perfect album. Three years later and now signed to Stones Throw, J Dilla would deliver his most illustrious musical adventure with an instrumental album simply called “Donuts“. Released on his birthday it would solidify his production values but it would be short lived with his death three days later. J Dilla will be called ahead of his time, one of the best on the boards but I will always remember his infectious beat that caught my ear on the summer day from a turntable and speakers.

    For other Dilla inspired stories click here.

  • Dilla CD Plus Graffiti Wallpaper

    Still the “Year of the Dilla” and to celebrate his birthday of February 7th, here is a quick wallpaper of J Dilla’s CDs and graffiti piece. Happy birthday and rest in peace James Yancey aka J Dilla.

    Dilla CD Plus Graffiti Wallpaper

  • Alkaholiks Got The Rehab Tour To Make You Say Daaam!

    Tha Alkaholiks have answered their question and have come out of retirement to do the Rehab Tour. It should not be a surprise that Ecliptic Sight is excited for this one because it was sad to see the group retire so early with their last album Firewater. They were also on the Top 10 CDs From The 1990s list that was compiled here. It took two years but it will be worth the wait. Seeing Tha Alkaholiks in concert is definitely a treat and they have one of the best live shows. If you love that likwit sound or you want to see a hype show definitely find a venue near you.

    Here are the dates via UGHH.com:
    LA – March 21, 2008
    OC – March 22, 2008
    Las Vegas – March 22, 2008
    Reno – March 23, 2008
    Lake Tahoe – March 24, 2008
    Arizona – March 27, 2008
    San Diego – March 28, 2008
    Las Vegas – March 29, 2008
    Long Beach – March 29, 2008
    Montana – April 3, 2008
    Denver – April 4, 2008
    Vail- April 5, 2008
    Utah – April 5, 2008
    North Dakota – April 6, 2008
    Kansas – April 10, 2008
    Milwaukee- April 11, 2008
    Utah – April 11, 2008
    Chicago – April 12, 2008
    Utah – April 12, 2008
    NYC – April 18, 2008
    Minneapolis – April 25, 2008

    Tha Alkaholiks Rehab Tour

  • How Do You Feel Because We Feel Fine

    We Feel Fine is a website that I stumbled upon when I was reading a post at UnEasySilence about TED (Technology, Entertainment, Design) and they put a sample video for Jonathan Harris. On the video he talks about We Feel Fine and what inspired him to make it. Basically it is a website that looks at different websites for certain words and takes the sentence. Then it puts it on We Feel Fine as a particle (sentences) that reacts to your cursor, words on the screen and other particles. Now if you are totally confused click the link and experience for yourself.

    An exploration of human emotion, in six movements
    by Jonathan Harris and Sep Kamvar

    We Feel Fine Screenshot

  • Artists Pay Tribute To Stan Lee

    Tessar Lo

    Gallery Nineteen Eighty Eight aka Gallery 1988 LA aka G88 and Golden Apple Comics present: Under The Influence: A Tribute To Stan Lee starting January 8, 2008 through February 1, 2008. I was put on to this by the one and only Detrimental and would have loved to see this. You might remember G88 mentioned here before about their artistic take on 8-bit video games. This time they honor the legendary Stan Lee who has created numerous super heroes and super villains to blockbuster movies that many have grown up on. The artwork above is by artist Tessar Lo and is done with “mixed media on stonehenge, mounted on wood. approx. 22 x 29”. There is alot more to see at the Stan Lee Tribute Artwork website and the actual gallery itself. The some of the artwork can also be purchase so if you are in the area then this is definitely one not to miss.


    Gallery 1988 LA

    7020 Melrose Avenue
    Los Angeles, CA 90038
    [email protected]

  • Free Legal Music 13

    Rhymefest is on a mission with is new album, “El Che” coming in 2008. Rhymefest gives us a new mixtape called “Man In The Mirror” and if you missed it: Rhymefest – Plugg City (City On My Back). While your at it go pick up his debut album: “Blue Collar” which was slept on.

    Mark Ronson presents Rhymefest: MAN IN THE MIRROR

    Rhymefest – Plugg City (City On My Back)

    Via senorwoohoo on the CAG forums

  • Wu-Tang 8 Diagrams Tour Raw Video Footage

    Wu-Tang 8 Diagrams Tour Raw Video Footage

    Artist: Gza
    Song: Liquid Swords
    Album: Liquid Swords
    Video: Ecliptic Sight
    Website: https://www.eclipticsight.com

    Location: Fox Theater, Bakersfield, CA
    Date: December 22, 2007 (less)

  • Ecliptic Sight Podcast: Future Edition

    Ecliptic Sight Podcast: Future Edition is a extragalactic of definitive mass portions of lyrical goodness. It also has music, emcees and apes.

    1. Future Ape Tapes – No Reason Why
    2. Busta Rhymes – Takin What’s Mine
    3. Keith Masters – Matlock
    4. Oddisee – Intro
    5. Rhymefest – No Sunshine (Rhymefest) [prod. by Emile]
    6. Invizibl Men – Jimmy Swagger
    7. Kidz in The Hall – Never Forget
    8. The Dirty Politicians – Rock Red Eyes (Alaskan Husky Owner)
    9. Beretta 9 – Peace ft. Shogun Assasson
    10. Cool Calm Pete – Side Two (CCP Remix)
    11. BISC1 – Decompression rmx – Prod by Le Parasite
    12. Columbo Black – Dreams Within (Snippet)
    13. Pugs Atomz – Dark Clouds-2007
    14. Yesh – The Day Dreamer
    15. Inverse – So Far
    16. Future Ape Tapes – Concrete on the Big Screen

    Disclaimer: Saibot and Ecliptic Sight Podcast are not associated with any artists or music played unless noted. All rights are reserved to the individual artist or artists. Support any songs or artists that you hear by picking up their album. Tracklisting at EclipticSight.com.
    ESP Logo

  • Wu-Tang 8 Diagram Tour: Photo Review

    Took a trip to Bakersfield, California and was surprised by my little brother Josh with an early Christmas present, two tickets to the Wu-Tang 8 Diagrams Tour. The concert was held at The Majestic Fox Theater and scheduled to start at 8:00 pm. We didn’t arrive until 9:00 pm and the concert started shortly after. My cousin Rick works at the Fox and took my pictures for me on the side of the stage with my camera. Without further ado the Wu-Tang 8 Diagram Tour: Photo Review:

    Wait I only count six members of Wu on stage! Yeah Rza, Inspectah Deck and Masta Killah were snowed in and couldn’t make it.
    8diagramstour01.jpg

    Raekwon does his solo thing and moves the crowd.
    Raekwon

    Cappadonna that is a tight shirt, oh I mean tight rhyme skills.
    Cappadonna Nice Logo

    “Come on party people, all in together now, sing along” – R.I.P. ODB
    All In Together

    Method Man slapping hands with fans and then…
    Meth With Fans

    …Method Man standing on his fans.
    Meth On Fans

    Cappadonna was really hype the whole time and had the crowd pumped.
    Cappadonna Solo

    Photo ghosting with Ghost and Meth.
    Ghosting

    Crowd can’t get enough…
    Crowd

    …and Method Man delivers with a solo.
    Meth Solo

    Looks as if Wu-Tang is even having a good time.
    Good Times

    Taxi driver to Pepsi man. Cappadonna quenches the crowds thirst.
    Pepsi Man

    Crowd picture and I’m not in it. Time to get out.
    Crowd Photo